Monthly Archives: April 2017
This post looks at the Manic Pixie Dream Girl trope and explains her as an evolution, rather than subversion, of the male gaze as defined by Mulvey (1975) as discussed in my previous post (here).
In Film Theory, Elsaesser and Hagener raise the question: Where does a film exist? In order to attempt to pose an answer to this question, I have come up with a film as body metaphor separate to the concepts … Continue reading
In contract to Kuhn’s suggestion that the desire for play motivates us to watch film (see my previous post here), Laura Mulvey’s essay, “Visual Pleasure and Narrative Cinema”, posits that enjoyment of film stems from more voyeuristic pleasure.